> Every time I hear a story about how something more modern won’t even be released in 4K because they don’t have a high enough quality source because it's all digital I’m kind of saddened.
I think it depends on the movie, 28 Days Later was shot on digital potatocams and looks awesome.
> 28 Days Later was shot on digital potatocams and looks awesome.
I'll have you know they like to be called canon XL1s ;)
But I'm not sure how much was actually shot on those. I know a fair wedge of the action was, as it meant that they could do multi-cam shots (low budget, more realism, etc etc), I thought that they used ARRL something or others for slower shots. But I could be misremembering.
I think it depends on the movie, 28 Days Later was shot on digital potatocams and looks awesome.