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I think the RAW philosophy is starting to show its age. RAWs were only ever intended for the manufacturer‘s first party software (AFAIK). But that software is usually junk and supports few platforms (none support mobile).

I think the sweet spot for both the camera manufacturers and photographers are JPEG XL and other newer, standardized formats. They allow the camera to „bake in“ the secret-sauce color science while retaining headroom for editing thanks to 16-bit channels and such.



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