The ones that make the annual rounds up here in New England are those foliage photos with saturation jacked. “Look at how amazing it was!” They’re easy to spot since doing that usually wildly blows out the blues in the photo unless you know enough to selectively pull those back.
Often I find photos rather dull compared to what I recall. Unless the lighting is perfect it’s easy to end up with a poor image. On the other hand the images used in travel websites are laughably over processed.
Photography is also an art. When painters jack up saturations in their choices of paint colors people don't bat an eyelid. There's no good reason photographers cannot take that liberty as well, and tone mapping choices is in fact a big part of photographers' expressive medium.
If you want reality, go there in person and stop looking at photos. Viewing imagery is a fundamentally different type of experience.
Sure — but people reasonably distinguish between photos and digital art, with “photo” used to denote the intent to accurately convey rather than artistic expression.
We’ve had similar debates about art using miniatures and lens distortions versus photos since photography was invented — and digital editing fell on the lens trick and miniature side of the issue.
This is a longstanding debate in landscape photography communities - virtually everyone edits, but there’s real debate as to what the line is and what is too much. There does seem to be an idea of being faithful to the original experience, which I subscribe to, but that’s certainly not universal.
There are a whole lot of landscape photographs out there I can vouch for their realism 1% of the time because I do a lot of landscape photography myself and tend to get out at dawn and dusk a lot. There are lots of shots I got where the sky looked a certain way for a grand total of 2 minutes before sunrise, and I can see similar lighting in other peoples' shots as real.
A lot of armchair critics on the internet who only go out to their local park at high noon will say they look fake but they're not.
There are other elements I can spot realism where the armchair critic will call it a "bad photoshop". For example, a moon close to the horizon usually looks jagged and squashed due to atmospheric effects. That's the sign of a real moon. If it looks perfectly round and white at the horizon, I would call it a fake.
The ones that make the annual rounds up here in New England are those foliage photos with saturation jacked. “Look at how amazing it was!” They’re easy to spot since doing that usually wildly blows out the blues in the photo unless you know enough to selectively pull those back.