I think there's a big difference between the following:
- enjoying the work of an unrepentant bigot who died hundreds of years ago, whose work is in the public domain, who does not materially benefit from your spectatorship (what with them being dead and all)
- enjoying the work of an unrepentant bigot who is alive today, whose work they have ownership of, who materially benefits from your spectatorship
- enjoying the work of an unrepentant bigot who died mere minutes ago, whose work is owned by their estate, whose heirs materially benefit from your spectatorship
I think the first category is fine, the second category is unambiguously not fine, and the third category is ambiguous, but I would err on the side of "don't consume".
I personally would go with no, because you're still propagating their cultural product. One rarely consumes media with the intention of keeping it a secret; half the point of watching a movie or tv show is to talk about it. The entire sociological function of celebrities is that we talk about them. "I am doing research on Scott Adams and I want to consume some Dilbert as a research device", um, sure, I guess, I dunno, why are you doing research on a recently dead bigot, what is the purpose of that. etc.
I'm not -your- conscience, I can only explain my own. To me? No, that's not fine.
First of all, I think we can definitely say that certain words are bad. if somebody is saying that they want to have sex with a child, we can tell them this is something bad and that we don't agree with this.
And pretty much all countries in the world limit what we can say. You're not allowed in the US to, for example, threaten the US president with murder, even if it's just words.
Laws consist of words, but making a law is something different than just saying something. It is an act, and indeed American laws are often (or always?) called Acts.
In any period of history, there are people who know things are wrong and are vocal about it. There are artists prior to the Civil Rights Era that were not bigots. The problem you have is the artists that were celebrated AT THAT TIME which we know about were also those accepted by the status quo which allowed them to be known.
People knew slavery was wrong when slavery was happening. People knew child labor was wrong when child labor was happening. People knew segregation was wrong when segregation was happening. Those people were not rewarded by society.
Enjoy Bach's music all you want, but when I read his biography those difficult details better be in there, and if that ruins his music for you that's on you.
What's wrong with this tho? Maybe we should stop uplifting people when we find out they are nasty individuals. Acting like there aren't also artists that are good people is odd, these are the ones deserving our attention.
FWIW, I use to be a big fan of Crystal Castles (like listening to 4+ hours a day for close to a decade). It was a core part of my culture diet. Once it was known that Ethan Kath was a sexual predator that groomed teenage girls, I simply stopped listening or talking about them ever.
Why is this hard? IDK, it really feels like people put too much of their identity into cultural objects when they lack real communities and people in their lives.
Also throwing it out there, I don't really know much about Scott Adams (or his work for that matter). Dilbert comics weren't widespread memes on the phpBB forums I'd post on throughout the 00s and 10s.
The thing that is wrong about it is that the purity spiral may get out of control and result in wholesale purging of art, Iconoclast-style (or perhaps Cultural Revolution-style).
I don't trust people with an instinct to purge history. They rarely know when to stop.
Plus, standards change a lot. Picasso had a teenage mistress. It wasn't as scandalous back then. Should we really be so arrogant as to push our current standards on the entire humanity that once was? If yes, we will be obliterated by the next generation that applies the same logic to us, only with a different set of taboos.
"Acknowledge the ugliness and try to do better" and purging art and history are different things. The comment you replied to above did not call for a purging of Adams' work or life from history.
It seems to me that, even here in this discussion, people call for avoiding work of such authors. Would that entail, say, pressure on galleries not to show such art? If so, that is more than half way to a purge.
People often like to conflate criticism and personal choice with censorship, but they're not the same.
We're allowed to avoid consuming the work of artists we think are horrible humans. We're allowed to encourage others to do that too even. None of that is purging or censorship.
That's not purging at all, words have meaning. If you grep my comment you might be encountering a massive bug if you found the word purge.
You can still stream all of Crystal Castles songs on every platform, you can still buy their music, their albums still have hundreds of seeders on trackers. Just as I'm sure you can buy your Dilbert books.
Telling people to maybe look up to better humans, which it needs to be stated have always existed and aren't a modern invention, should be encouraged.
One of the other threads in here an OP states that we should use this moment to reflect and do better in our own lives, what is wrong with this viewpoint?
We've seen countless examples of people getting sucked into social media holes and I've yet to encounter a single case where this has ever led to healthy outcomes.
The purity spiral on the other side is already batshit. "If you support that we're going to say you're bad and not buy your work" is quite a way from widespread physical and media violence.
Adams was a mediocre bureaucrat who discovered he could make a living as a competent comedian. His success at that persuaded him that he was an Important Moral Authority.
He started as a banker and ended as a self-harming prosperity preacher - not exactly a rare archetype in the US.
The funny parts were funny. The rest, not so much.
"His success at that persuaded him that he was an Important Moral Authority."
Isn't this rather common in artists? Bono of U2 comes to mind as a very pronounced example.
The problem with being a well-known artist is that you have way too many sycophants. Imagine getting dozens of ChatGPT-like fawning messages every day, but from real people, and not just over e-mail, but whenever you stray out of your house and someone recognizes you.
That will mess with self-image of almost everyone except the most stoic personalities.
My TL;DR Choosing not to financially support a creator for ethical seasons makes sense as an ethical stance. But that doesn't mean the media we like needs to always reflect our values.
I don't really want to study fluctuating levels of religious bigotry in Bach's life when I listen to his works.